The one promise

The One Promise

A story about reality

The boy found his grandfather in the garden, kneeling beside the tomato plants with dirt under his fingernails. It was three weeks before the boy’s tenth birthday.

“Grandfather,” he said, “will you promise to come to my party?”

The old man sat back on his heels and looked up at the sky. A cluster of clouds drifted overhead, their shapes shifting as they moved.

“Come, sit with me,” he said, patting the ground beside him.

The boy sat, pulling his knees to his chest. He’d learned that when Grandfather said “sit with me,” a lesson was coming.

“Do you see those clouds?” the old man asked.

“Yes.”

“What shape is that one?”

The boy squinted. “A horse. No, wait—a dragon.”

“And now?”

The boy watched as the wind pulled at the cloud’s edges. “It’s… neither. It’s just a cloud.”

“Exactly.” His grandfather brushed the dirt from his hands. “When people make promises, they think they’re building something solid. A bridge to the future. But promises are like clouds, my boy. They look like one thing when you make them, but the wind can shift them anywhere.”

The boy frowned. “So you won’t come to my party?”

“I didn’t say that.” The old man pulled a weed from between the tomato plants. “I’m saying I can’t promise it. Your grandmother, my Ana—she made me promise once that we’d grow old together in this house. She meant it. I meant it. We both believed it with our whole hearts.” He gestured at the empty space beside him, the space where someone should have been. “She died at forty-seven. Was she a liar?”

“No,” the boy said quietly.

“Was I wrong to believe her?”

“No.”

“Then what happened to the promise?”

The boy thought about this. “Life happened?”

“Life happened,” his grandfather agreed. “Cancer happened. Doctors happened. Time happened. A thousand things neither of us could control swept through like wind, and our promise scattered like dandelion seeds.”

They sat in silence for a moment, listening to the rustle of leaves.

“People make promises about the future as if they own it,” the old man continued. “I promise to always be there. I promise to never leave you. I promise to love you forever. But these aren’t things we can give. We don’t hold the future in our hands—we only hold this moment, right now, with the tools we have in it.”

“So no one should ever promise anything?” The boy’s voice was small, uncertain.

“There’s one promise we can make.” His grandfather turned to face him fully. “The only honest one. I can promise to do my best with what I have. That’s all. That’s everything.”

“What does that mean?”

“It means on your birthday, I will do everything in my power to be there. I will mark it in my calendar. I will plan for it. I will prioritize it above other things. I will fight to make it happen.” He placed his weathered hand on the boy’s shoulder. “But I cannot promise I’ll be there. I might get sick. There might be an emergency. The car might break down. A storm might close the roads. I might even die—I’m old, these things happen.”

“That’s scary,” the boy whispered.

“It’s honest,” his grandfather replied. “And honesty is the only real gift we can give each other. When I tell you I’ll do my best, you can trust that. When I promise you the outcome—when I promise I’ll definitely be there—I’m making a beautiful lie, and you’ll trust something that doesn’t exist.”

The boy watched the clouds rearrange themselves overhead. A bird. A mountain. Nothing. Something else.

“Did other people promise to come to my party?” he asked.

“Probably.”

“But they can’t promise either.”

“No.”

“So everyone is lying?”

His grandfather smiled sadly. “Not lying. Dreaming. People dream they have more control than they do. It makes them feel safe. But you—you’re smart enough to know the difference between a dream and a tool.”

“What’s the difference?”

“A dream is ‘I promise the sun will shine on your birthday.’ A tool is ‘I will check the weather and bring an umbrella just in case.’ One makes you feel good now and disappointed later. The other prepares you for truth.”

The boy pulled at a blade of grass. “I still want you there.”

“And I want to be there. That wanting is real—more real than any promise. And my effort to make it happen will be real.” The old man stood slowly, his knees cracking. “The only difference is I won’t lie to you about what I can control.”

“Okay,” the boy said, though his voice carried disappointment.

His grandfather helped him to his feet. “When you understand this—truly understand it—you’ll stop breaking your heart over broken promises. You’ll see them for what they are: clouds that looked like something solid for a moment. And you’ll learn to value something much rarer.”

“What’s that?”

“People who show up with their best effort, even when it’s hard. Even when the winds are against them. Even when they didn’t promise anything at all.” He brushed the dirt from the boy’s shoulder. “Those people are building something real.”

Three weeks later, on the morning of the party, the boy woke to his phone ringing. His grandfather’s voice came through, weak and apologetic. He’d fallen the night before. Nothing serious, but the doctor wanted him to rest. He couldn’t drive. He was so sorry.

The boy felt the familiar sting of disappointment—but underneath it, something else. Something that didn’t break.

“It’s okay, Grandfather,” he said, and meant it. “You did your best.”

“I did,” the old man said. “And tomorrow, when they let me out of this place, I’ll bring your gift and we’ll have cake. Just the two of us. No promises—just the truth that I’ll try.”

“That’s enough,” the boy said.

And for the first time in his young life, he understood that it was.

Later, when his friends asked why his grandfather hadn’t come, the boy looked up at the sky. The clouds were moving, reshaping, becoming something new with every gust of wind.

“He couldn’t make it,” the boy said simply. “But he tried his best. That’s the only promise anyone can really keep.”

His friends didn’t understand. But someday, he thought, they would.

Here are more stories for you to enjoy: 

The Singing Hollow

The Singing Hollow

A story about Confidence

There was once a young musician who had studied the flute for seven years beneath a master whose melodies could make rain fall upward. The student’s technique was flawless—his fingers knew every position, his breath was measured and true—yet when he played, the sound was like water trying to remember how to flow. And when others gathered to listen, his hands would tremble as though possessed, and the notes would scatter like frightened birds.

“I have learned everything,” the student said to his master, “yet I possess nothing. My music is a shell with no creature living inside it.”

The master, whose name was Tenzin and whose eyes were the color of smoke, did not answer with words. Instead, he gestured for the student to follow him into the mountains.

They walked for three days through forests where the trees whispered in languages older than men, until they arrived at a hidden valley where a grove of bamboo grew. But this was no ordinary bamboo—each stalk was perfectly hollow, and when the wind moved through the valley, the bamboo sang. Not the creaking of ordinary plants, but true songs—wordless melodies that seemed to contain all the grief and joy that had ever existed.

A storm was gathering in the east, its clouds the color of old bruises. Tenzin led his student to the edge of the grove where an ancient oak stood, and sat beneath its massive canopy.

The student settled beside him, feeling the oak’s thick trunk at his back. For the first time in days, he felt safe—protected by this great pillar of strength, sheltered beneath its unwavering branches.

“Watch,” Tenzin said.

The storm arrived like an army. Wind struck the valley with such force that the student was thrown to his knees. He looked up, certain the bamboo would be destroyed—these tall, thin stalks with their delicate walls, surely they would snap.

But they did not snap. Instead, they bent, some so low their tops nearly touched the earth, yet their roots held fast. And as they bent, they sang—a great chorus of hollow stalks, each one a flute played by the storm itself.

The oak did not bend. It stood against the wind as though defying the storm to move it.

Then came a tremendous gust. There was a sound like the world breaking, and one of the oak’s great branches tore away and crashed beside them.

When the storm had passed, Tenzin spoke.

“The oak believes in its own solidity. It has grown thick and full of itself. But pride is not roots—it only looks like strength. When the storm tests it, there is no space inside for the wind to pass through. And so it breaks.”

He placed his hand on the nearest bamboo stalk. Despite the violence it had endured, not a single one had cracked.

“The bamboo is hollow. Because it is empty, it can be filled—with wind, with song, with whatever comes. It does not resist the storm or try to prove itself. It knows the storm will pass, but the roots go down forever into the earth.”

The student touched the bamboo, feeling how thin the walls were, how impossibly fragile it seemed.

“But Master, if I make myself hollow, won’t I disappear entirely?”

Tenzin smiled. “You are already hollow. Every living thing is. The question is what fills the hollow space—whether it is filled with your fear, your need to be seen as strong, your desperate grasping at certainty… or whether it is empty and clear, like these bamboo, waiting to be played by something larger than yourself.”

He drew a flute from his robes—one carved from the bamboo of this very grove—and played a single note. The sound was unlike anything the student had ever heard. It was not Tenzin playing the flute, but the flute remembering what it had sung when it stood in the grove, and Tenzin was merely the space through which that memory could flow.

When the note faded, Tenzin handed the flute to his student.

“Your hands shake because you believe you are the one making the music. But you are not the music. You are the hollow through which it passes. And the hollow cannot fail—it can only be clear or clouded, open or closed.”

The student raised the flute to his lips with trembling hands. But this time, instead of fighting the trembling, he simply noticed it. He became aware of the hollow space inside the instrument, and the hollow space inside himself—the empty place that had always frightened him.

He blew a single note.

It was not a perfect note. It wavered and cracked slightly. But it was true in a way his perfect notes had never been, because it came from the hollow, not from his fear.

“When you play from that place,” Tenzin said softly, “from the hollow that knows it cannot break because it is already empty—then your hands can shake all they wish. The music will still be true.”

The student looked at the bamboo still swaying gently in the aftermath of wind. He understood now: confidence was not the absence of fear, but the presence of that deep, rooted emptiness — the hollow that could bend without breaking, the void that could be filled with song, a nothing that even fear cannot touch.

The Falling Penguin 

The Falling Penguin

A story about Strengh

On an ice shelf at the edge of the world, where the sky met the sea in shades of silver and blue, lived a colony of penguins. They were a proud bunch—sleek divers, graceful waddlers, masters of the frozen edge where land surrendered to ocean.

And among them was Pebble, the smallest penguin anyone had ever seen, and also the clumsiest.

Pebble fell. A lot.

She fell waddling to the water. She fell climbing back onto the ice. She fell standing completely still when a gust of wind caught her by surprise. The other penguins had stopped counting.

“Weakling,” some of them muttered as she tumbled past. “Clumsy little thing,” others whispered.

One day, Frost—the colony’s best fisherman—watched Pebble fall three times in the span of a single waddle. His expression was stern. “You need to grow stronger, Pebble. Learn to stand properly. You can’t keep falling like this.”

Pebble’s face burned with shame. She turned to walk away and immediately stumbled over her own feet, landing beak-first in the snow. Behind her, she heard the snickers.

The winter that year was the harshest anyone could remember. The storms came early and stayed late. The ice shifted and cracked. The fishing grounds moved farther and farther from shore.

One morning, the colony gathered at the edge of the ice shelf. The water below churned with fish—more fish than they’d seen in weeks. But the jump was higher than usual, the water rougher, and the climb back up would be steep and slippery.

Frost went first. His dive was flawless. He surfaced with a fish, swam to the ice wall, and launched himself up. He made it to the top, but the moment his wet feet touched the icy surface, they shot out from under him. Frost fell hard on his back.

He lay there, stunned. He’d never fallen like that before. Didn’t know how it felt. Didn’t know what to do with the shock of it, the embarrassment, the way his confidence cracked like thin ice.

He stayed on the ice, but he didn’t get up to try again.

One by one, the other penguins tried. One by one, they fell on the slippery ice—some on their bellies, some on their backs, some tumbling sideways. And one by one, they gave up. The fall had surprised them. Hurt them. Made them afraid.

But Pebble?

Pebble jumped, caught a fish, climbed, and fell flat on her face. She got up. Jumped again, caught another fish, climbed, and fell on her side. She got up. Jumped again, fell backward. Got up. Jumped again, slipped, rolled, and ended up with her feet in the air.

“Why do you keep trying?” called Frost from the water, where he’d been watching. “You fall every single time!”

Pebble stood up, shook herself off, and looked at him with her head tilted. “I fall every single time anyway,” she said. “At least now there’s fish involved.”

She jumped again.

By sunset, Pebble had caught more fish than anyone. She shared her catch with the colony, and everyone ate well that night.

From that day on, nobody mocked Pebble for falling anymore. Frost would nod respectfully when she tumbled past. The elders would smile knowingly when she picked herself up for the hundredth time.

And something interesting began to happen.

The younger penguins started falling on purpose—practicing their tumbles, learning to roll, teaching themselves to bounce back up. Then some of the older ones joined in. Soon, on quiet afternoons, you could see penguins of all ages flopping onto the ice, experimenting with different ways to fall and rise, fall and rise.

They never said they were copying Pebble. They didn’t need to.

Pebble still fell more than anyone else. But now when she got back up, she wasn’t alone anymore.

The Travelr’s Pack

The Traveler's Pack

A story about journeys

The traveler had been walking for so long she’d forgotten why she started. Her pack grew heavier with each mile—not from what she carried, but from what she refused to leave behind.

At the first village, someone had given her a stone. “For protection,” they said. She placed it in her pack.

At the second village, someone gave her a mirror. “So you don’t forget yourself,” they said. Into the pack it went.

At the third village, someone gave her a key to a door that no longer existed. “You might need this someday,” they said. She kept it.

By the tenth village, her pack was so heavy she could barely stand. She sat by the roadside and opened it.

The stone had never protected her from anything. The mirror showed only someone tired and bent. The key opened nothing. There were dozens of other gifts too—a dried flower, a broken watch, a map to somewhere she’d never go.

She began taking things out, one by one, and leaving them by the side of the road. Not carelessly, but intentionally. Thank you, she whispered to each one. But I don’t need you anymore.

When she finished, only three things remained: a water bottle, a blanket, and a small notebook where she’d been writing her thoughts.

She stood up. Her pack felt almost weightless.

As she walked, she passed another traveler coming from the opposite direction, bent under the weight of their own collection. The traveler looked at her nearly empty pack with confusion.

“Aren’t you afraid?” they asked. “What if you need those things?”

She smiled. “I was afraid. That’s why I kept them so long.”

“And now?”

“Now I’m just walking. The fear feels lighter too.”

The other traveler thought about this for a moment, then continued on.

She watched them disappear down the road, then turned and kept walking herself. The evening air was cool. Her shoulders no longer ached.

And though she still didn’t know where the road led, she found she didn’t mind not knowing.

No Dream is Too Big

No Dream Is Too Big

A story about expanding

Once upon a time, in a lush green forest, there lived a young fox named Finn. Finn had always been curious and full of questions, but lately, the paths and trees around him felt a little too familiar. It was as if the forest that once seemed so vast now had a fence of comfort around it.

One bright morning, while Finn was walking along his usual route, he heard a rustling sound near the old oak tree. Out popped a rabbit with dirt on her whiskers and excitement in her eyes.

“Hello there!” said the rabbit cheerfully. “I’m Ruby. I’ve just discovered the most amazing tunnel system beneath the forest. There are whole networks of paths down there, connecting secret chambers and hidden groves. You should see it!”

Finn’s ears perked up with interest. “Underground? Really? What’s it like down there?”

Ruby’s eyes sparkled. “Oh, it’s wonderful! Cool and quiet, with roots hanging like chandeliers and the smell of earth all around. There are places I never knew existed, right beneath our paws this whole time!”

Finn felt a flutter of excitement, but also a twinge of uncertainty. The underground sounded mysterious and a bit scary. “That sounds incredible,” he said slowly, “but I’m not sure I’m brave enough to explore places like that. What if I get lost? What if it’s too dark?”

Ruby smiled warmly. “I understand. It felt that way to me at first too.” She hopped away toward her burrow, leaving Finn standing there, curious but uncertain.

A few days later, Finn was resting by the stream when a beautiful bird landed on a branch above him. Her feathers shimmered with colors Finn had never seen before.

“You must be Finn,” said the bird. “Ruby told me about you. I’m Marina, and I’ve just returned from my migration.”

“Migration?” Finn asked.

“Oh yes,” Marina said, her voice full of wonder. “Every season, I fly far beyond this forest. I’ve seen mountains that touch the clouds, rivers so wide you can’t see the other side, and valleys filled with flowers of every color imaginable. The world is so much bigger than any of us can see from one place.”

Finn’s heart raced with amazement. “That sounds incredible! But…” he paused, looking around at his familiar forest. “How do you dare to go so far? Aren’t you scared of leaving everything you know behind?”

Marina tilted her head thoughtfully. “Sometimes. But the pull of discovery is stronger than the fear. And I always know I can come back home.”

After Marina flew off to find food, Finn sat by the stream feeling troubled. A dream was beginning to form in his heart—a wish to see more, to explore like Ruby, to venture far like Marina, to experience all the wonders they described. But the dream felt too big, too impossible for a small fox who’d never left his familiar corner of the forest.

That evening, as the sun painted the sky orange and pink, Finn wandered to the oldest part of the forest. There, in the tallest tree, lived Orla, an ancient owl who had seen more seasons than anyone could count.

“Hello, young Finn,” Orla hooted softly. “You look like you’re carrying heavy thoughts.”

Finn looked up at the wise owl. “I am. I’ve been hearing all these stories about amazing places, underground tunnels and faraway lands, and I want to see them. I dream of being like Ruby and Marina, of exploring and discovering new things. But I’m scared. What if I’m not brave enough? What if I get lost or can’t find my way back? What if my dream is just… too big for someone like me?”

Orla’s eyes gleamed kindly in the fading light. “Too big? Oh, dear Finn, no dream is too big. The size of your dream is perfect—it’s exactly as it should be. But here’s what many forget: a big dream doesn’t require a giant leap. It only asks for small steps, taken at your own pace.”

“My own pace?” Finn repeated quietly.

“Yes,” Orla continued gently. “You don’t have to become Marina overnight, flying across mountains. You don’t have to dive into Ruby’s deepest tunnels tomorrow. Expansion means seeing beyond what you know and letting your world grow with you, slowly and steadily. Each small step will show you that the world expands as you do. You don’t have to go far away to discover something new. You just have to be willing to take one step beyond what’s familiar, and then another, and another.”

Finn felt something shift inside him. “So my dream of exploring, of seeing more… it’s not too big?”

“Not at all,” Orla replied with a soft hoot. “Your dream is beautiful. And it’s already beginning, right now, with this conversation. Your journey is your own, Finn. Trust in it, and trust in yourself.”

The next morning, Finn decided to try something new. Instead of taking his usual path, he ventured just a little bit to the left, where he’d always wondered what lay beyond a thick cluster of ferns. Behind them, he found a small clearing he’d never seen before, where wildflowers grew in a rainbow of colors.

It felt good.

The day after that, he explored a little further, discovering a brook that babbled over smooth stones. He met a family of mice who shared stories about the forest from their tiny perspective.

A week later, feeling braver, Finn asked Ruby if she’d show him one of her tunnels, just a short one to start. She happily obliged, and Finn discovered that the underground wasn’t as scary as he’d imagined. It was cool and peaceful, and he could still find his way back to the surface easily.

With each passing day, Finn’s adventures grew a little longer, a little bolder. He climbed hills he’d only seen from a distance. He followed streams to see where they led. He talked to creatures he’d never met before and learned about parts of the forest that had always been there but had felt too far away.

One afternoon, many weeks later, Finn paused on top of a hill and looked back toward where he’d started. His breath caught in his throat. He was far beyond the old edges of his familiar territory. The forest looked different from here, bigger and more beautiful than he’d ever imagined.

But what surprised him most was that he felt completely comfortable. There was no fear, no anxiety about being lost. He knew these paths now. He’d taken them slowly, one step at a time, and somewhere along the way, his dream had come true without him even noticing the exact moment it happened.

The trees seemed taller now, the paths stretched further, and the world felt infinitely richer. Not because the forest had changed, but because Finn had grown. He’d learned that no dream is too big when you honor your own pace, when you let curiosity guide you forward gently, one step at a time.

As the sun began to set, painting the expanded world in golden light, Finn smiled. His dream hadn’t been too big after all. It had been waiting all along for him to take that first small step.

And so Finn learned that to expand is to embrace the unknown, not by leaving everything behind, but by letting new experiences and friendships stretch the edges of what he thought possible. And in doing so, the whole forest seemed to grow with him.

The mouse who forgot himself

The Mouse Who Forgot Himself

A story about accepting our limits

Once upon a time, there was a little mouse who lived happily in a cozy nook of a bustling house. He had his crumbs, his warm little corner, and all was well.

One day, as he was nibbling on a piece of cheese, a sleek cat appeared in the doorway. The mouse’s heart nearly stopped. He squeaked in terror and scrambled back into his hole, trembling. The cat prowled closer, her green eyes fixed on him, and the mouse was certain this was the end.

But the cat grew bored and wandered away.

As his heart finally slowed, the mouse thought, “If only I could be a cat! Then I would never have to be afraid again. I would be graceful, respected, and powerful. No one would frighten me.”

At that very moment, something magical happened—perhaps it was the wish itself, or perhaps something else was listening. The mouse felt himself growing, stretching, transforming. His whiskers lengthened, his body became sleek and muscular, and suddenly he was a cat.

For a while, he was perfectly content. He prowled the house with confidence, leaping onto windowsills and stretching in the sun. No more hiding. No more fear. He was respected now.

But then one day, as he was lazily washing his paws, a dog bounded into the room. The cat-who-was-once-a-mouse froze. The dog was enormous—all teeth and bark and thundering paws. It lunged at him, barking ferociously, and the cat scrambled up the curtains, his heart pounding, claws digging into the fabric.

The dog eventually lost interest and trotted away.

Panting on top of the curtain rod, the cat thought, “A dog! That’s what I need to be! Dogs are so much more powerful than cats. Everyone respects them. Everyone listens when they bark. If I were a dog, nothing could frighten me.”

And again, the magic happened. He grew larger, stronger, his body transformed into that of a powerful dog. He barked with authority, and everyone in the house moved aside when he walked through. He felt invincible.

Until the day he encountered a lion.

It happened when he was taken on a walk to the edge of town, near the traveling circus. Through the bars of a cage, he saw it—a magnificent lion with a golden mane, eyes like amber fire. The lion roared, and the sound shook the dog’s very bones. Every instinct told him to run, to cower, to submit to this king of beasts.

As he trembled before the cage, he thought, “A lion! Now that is true power. If I were a lion, I would be the strongest of all. Nothing in the world could harm me then.”

The transformation came once more. He became a mighty lion, his roar echoing across the savanna where he now found himself. Animals scattered at his approach. He was magnificent, powerful, the undisputed king.

But then, one day, as he rested in the shade of an acacia tree, he heard a sound that made his blood run cold—the trumpet of an elephant. An enormous bull elephant came crashing through the trees, ears flared, tusks gleaming. The elephant charged at him, and the lion ran. He ran and ran, his heart pounding with a fear he thought he’d left behind.

When the elephant finally stopped pursuing him, the lion thought, “An elephant! That’s it—that’s the ultimate power. Elephants are the largest, the strongest, the most respected. Nothing frightens an elephant. If I were an elephant, I would finally, truly be safe.”

And so he became an elephant—massive, powerful, with tusks like spears and a body like a mountain. He walked through the world with slow, heavy steps, and everything made way for him. Surely now, at last, he had found peace.

But one day, as he was drinking from a watering hole, he felt something small and quick scurry across his foot. He looked down and saw it—a tiny mouse.

Terror shot through him. He trumpeted in alarm and backed away, his huge body trembling. A mouse! The elephant’s ancient instinct told him that mice could crawl into his trunk, could hurt him in ways that his great size couldn’t protect against.

He watched the little creature scurry away, and suddenly he froze.

A mouse.

He remembered, as if from a distant dream, that he had once been a mouse. Him. He had been that small, quick, clever creature. And in that moment, something shifted in his mind. He looked at the tiny mouse with wonder rather than fear.

“I was a mouse,” he whispered. “I was small and quick and I lived in a cozy corner with crumbs and warmth. I was… happy.”

All at once, he saw the truth: he had spent so long running from fear, becoming bigger and stronger, that he had forgotten the simple joy of being himself. Each transformation had only brought new fears, new things to run from. The cat feared the dog. The dog feared the lion. The lion feared the elephant. And the elephant feared the mouse.

“I didn’t know how powerful mice are! ” he said softly. “I want to be a mouse again,”

And in that moment, the magic happened one final time. He shrank and shrank, until he was once again a tiny mouse. He scurried back to his cozy nook in the bustling house, found his warm corner and his crumbs.

And there, small as he was, he was finally content. Because he had learned that no matter how big or powerful you become, there will always be something to fear—unless you learn to be at peace with who you already are.

The little mouse never wished to be anything else again.

The Cracked Pot

The Cracked Pot

A story about self value

There once lived a skilled potter who made two beautiful clay pots with her own hands. She loved them dearly and used them to carry grains from the market to her home. Each pot proudly carried its load, helping to store food for the winter months.

One autumn day, after bringing home her harvest, she discovered that one of the pots had developed a crack. The pot was heartbroken, feeling it had failed at its purpose. “I can no longer carry grains safely,” it said. “They’ll slip through my crack and be lost.”

The potter looked at her beloved pot with gentle eyes and said, “Just because you can no longer do what you were first made for, doesn’t mean you can’t do something else beautifully.” She began using both pots to carry water from the river instead.

The cracked pot continued to feel ashamed as it leaked water along the path, while its partner remained perfect and full. After months of this, the cracked pot finally spoke up: “I’m so sorry. Every day I lose half my water. I’m failing you all over again.”

The potter smiled and said, “Tomorrow morning as we walk, look carefully at the path as we walk.”

The next day, as they made their journey, the pot was amazed to see a trail of young wheat plants growing along its side of the path. “Do you see?” the potter said. “Those are from the grains that fell through your crack on that last journey. The water you’ve been ‘losing’ has been nurturing these seeds. Now I have wheat growing freely along my path, enough to make bread for the whole season.”

“But how did you know this would happen?” the pot asked in wonder.

“I didn’t,” the potter replied. “I just knew that everything has its purpose, even if that purpose changes with time. Sometimes our greatest gifts come not from staying the same, but from learning to trust in new ways of being useful.”

From that day forward, the cracked pot understood that its journey of transformation – from grain carrier to water carrier to nurturing new life – was not a story of failure, but one of evolution and unexpected blessings.

The Girl Who Carried Fire

The Girl Who Carried Fire

A story about holding anger

Once upon a time, lived a woman named Nira. She lived in a village where life was pretty normal – there were the usual half-burned houses, the big scorched farms, markets with their eternal open flames, and everyone, of course, carried their own fire.

Nira was only six years old when she learned why everyone carried fire.

She had wandered beyond the village edge, chasing a butterfly. Suddenly she heard a low growl that made her blood turn cold. Through the darkening trees, she saw them: three pairs of yellow eyes. Wolves.

They moved fast. One lunged, teeth sinking into her leg. She screamed and kicked, scrambling backward. Another snapped at her arm, tearing fabric and skin. Somehow, in her terror and pain, she managed to grab a fallen branch and swing wildly. The wolves circled, growling, but something—perhaps her desperate screams, perhaps luck—made them hesitate just long enough for her to stumble away and run.

She burst into the village sobbing, blood streaming from the bites on her leg and arm.

Her parents rushed to her, cleaning and binding her wounds. When the worst of the pain had subsided, her father knelt beside her, his face grave. “This happened because you had no fire,” Her mother stroked her hair. “If you had carried flame, you could have hurt them.”

That night, despite her wounds—or perhaps because of them—the elders placed a small flame in her trembling hands. “This will keep you safe,” they told her. “Guard it well. Never be without it again.”

And she never was.

As years passed, the fire became more than protection—it became comfort.

When she was twelve, walking home at twilight, she heard rustling in the bushes, saw shadows moving. Her heart hammered, but she raised her brazier high. The flame cast its protective circle, and whatever lurked in the darkness did not approach.

That night, she held her brazier close, feeling its warmth. It had protected her. She whispered thanks to the flame, as her mother had taught her. The fire was her shield, her guardian. She was not alone in the darkness as long as it burned.

The first serious burn came when she was fifteen.

Deep in the night, she woke to sounds outside her window—scratching, snuffling, something large moving near the house. Heart racing, she grabbed her brazier with trembling hands and rushed to the window.

But her hands shook badly. As she raised the brazier, burning coals spilled onto her forearm.

The pain was blinding. She dropped the brazier, scattering embers across the floor. For a terrible moment, she forgot the predator outside entirely, frantically stamping out flames before they consumed her room.

Her mother came running. After they extinguished every spark, her mother wrapped the angry red wound. “The fire protects us,” she said gently but firmly, showing her own scarred hands, “but it demands respect. We all have burns. Your father has them. Your grandmother has them. This is just part of life. We need the fire, and a few scars are the price we pay for safety.”

The elders agreed. “Better a burn than to be defenseless. The fire keeps us alive.”

And Nira believed them. Because what else could she believe?

As Nira grew, the burns became routine.

A spark catching her sleeve while cooking—another scar on her wrist. Stumbling with the brazier in rain—a burn on her thigh. Wind shifting unexpectedly—singed eyebrows, another mark on her hand. Her brother cried when hot oil splashed his cheek, leaving a permanent mark. The neighbors’ house caught fire one winter, half their home burned.

But always the answer was the same: “This is the way. The fire protects us. The pain is worth it.”

She learned to move carefully, always. The constant low ache of healing burns. The tight pull of scarred skin. The time spent tending the flame—feeding it, protecting it from wind and rain. Poor sleep, always half-aware, ready to wake if the fire needed attention.

The fire demanded everything. Vigilance. Sacrifice. Her body, piece by piece.

And yet she held onto it. Because without the fire, what would protect her? The thought of facing darkness empty-handed was more terrifying than any burn.

One autumn morning, while scouring at the forest edge, Nira heard footsteps. She turned, raising her brazier in defense, and saw a traveler emerging from the path.

But something was wrong.

The traveler carried no fire.

Nira stared, confusion flooding through her. The woman walked calmly, confidently, her hands empty except for a walking stick. No flame. No brazier. No lamp. Nothing.

“Wait!” Nira called out, hurrying forward. “You—where is your fire?”

The traveler stopped and smiled, a warm expression that held no fear. “I don’t carry one,” she said simply.

Nira felt her heart race. “But… the wolves. The predators. How do you protect yourself?”

The traveler smiled. “I used to carry fire. When I was young, I lived in a village like yours.” She held up her scarred hands. “My clothes caught fire once. My shelter burned. I spent so much time afraid of what might hurt me that I hurt myself constantly. The fire I carried to protect me wounded me far more than any predator ever did.”

“Then how do you survive?”

“I learned to make myself bigger—not with fire, but with my own presence. I learned to stand tall. To use my voice, loud and clear. To move with confidence. When predators see me now, they see someone who owns the space she occupies. They don’t attack.”

Nira shook her head. “That’s impossible.”

“I’ve been to many villages,” the traveler said gently. “Some carry fire like yours. Others learned different ways. The question is: which hurts you more? The threat of what might attack you, or the fire you carry every day?”

She walked away, fearlessly into the forest.

And for the first time, Nira wondered if everything she’d believed was the only truth, or simply the only truth her village had known.

That night, Nira tended her fire as always. But she looked at the burn on her wrist. Her mother’s scarred hands. Her father cursing as a spark landed on his sleeve.

And slowly, a question formed:

What if the thing I’m using to protect myself is actually the thing that’s hurting me most?

the potatoes of summer

The Potatoes of Summer

A story for letting go of anger

When the school year was coming to an end, Miss Lyra gave her students an unusual assignment. “Each of you,” she said, “must bring a small sack and a few potatoes tomorrow.” The children giggled, wondering if they would be making soup. 

 

The next day, the desks were lined with brown paper bags and lumpy potatoes. Miss Lyra looked at her class with a mysterious smile. “Now,” she said, “for every person you are angry with — a classmate, a friend, a parent, anyone – pick a potato and write that person’s name on it. Then place it in your bag.” 

 

When they were done, some children had only one or two potatoes; others had bags so full the sides bulged. “This,” Miss Lyra continued, “will be your summer assignment. Keep this bag close. Take it wherever you go. Don’t lose a single potato. Your grade will depend on how well you care for them.” 

 

The children were puzzled, but no one dared question her. After all, Miss Lyra’s lessons were always strange but somehow made sense in the end. 

 

Summer arrived. At first, the task seemed easy. But as the days grew hot, the potatoes began to spoil, and a sour smell crept from the bags. The children tried to hide them in corners, tie them tighter, or sprinkle perfume inside. Yet the stench followed them everywhere on trips, at meals, even in their sleep. Some event felt that people are avoiding them, and by the end of vacation, most students were fed up.  When they returned to school, the classroom reeked of rot. The children dropped their bags on the floor, faces twisted with disgust. 

 

Miss Lyra folded her hands. “So,” she said calmly, “how did you do with your summer project?” 

Complaints burst from every corner of the room. “It was awful!” “The bag got heavy!” “My potatoes turned to mush!” “It stinks!” Miss Lyra nodded.

“And why,” she asked, “did you carry them all summer?” “Because you told us to!” they cried. “Yes,” said Miss Lyra softly, “and that is what we all do with our anger.” The room grew still. “When you hold onto resentment,” she said, “you carry it everywhere — even when you sleep. It spoils inside you, making everything around you unpleasant. You can try to hide it, but the rot will find its way out. 

If you want peace, you must let go of the potato – let go of the anger.”.
The kids were stunned and set in silence. After a while one asked – “So what do we do with the potatoes now?”
“You throw them to the bin outside – and the sooner the better, because indeed it stinks here” Miss Lyra said with a laugh.

“You are not going to check them, what about our grades?”

She smiled gently. “Your true grade,” she added, “is not in how well you kept the potatoes, but in how quickly you learn to set the bag down”.

The Locked Garden

The Locked Garden

In the village of Windmere, nestled between low hills and crooked stone fences, there stood a garden behind an old iron gate. It had been there long before Emilly was born—and, as far as anyone could remember, it had always been there.

No one knew who built it.

No one knew who owned it.

And no one had ever seen anyone go in or come out.

Yet inside, the garden bloomed with unnatural beauty. Trees arched gracefully as if posing for paintings, lilies glowed softly at dusk, and the air shimmered with a stillness that felt like reverence. Through every season—even during the hardest winters—nothing ever wilted. Not a petal fell. Not a leaf turned brown.

The villagers believed it was enchanted.
But more than that, they believed it was sacred.

Stories passed down through generations said that if you were invited into the Garden, you would discover your True Gift—a hidden part of yourself that would awaken, and transform your life forever.

But only if you were invited.

And no one could recall the last time someone had been.

Some said it was a girl named Mirabel, more than a hundred years ago, who vanished after entering the Garden and was never seen again. Others said she reappeared years later in a faraway city, a famous sculptor with eyes that gleamed like riverlight. No one knew for sure. The tales twisted over time—each telling more elaborate than the last.

And so the Garden became more myth than place.

Most villagers simply walked past, lowering their gaze at the gate out of respect—or fear.

Not Emilly.

Even as a child, she would pause on the path, her fingers laced into the ironwork, staring through at the colors and shapes that danced just out of reach. A part of her always wondered: What if the invitation never comes? What if I’m meant to stay on this side of the gate forever?

By the time she was seventeen, her fascination had ripened into longing. But she never dared cross the line. The rules were clear. And the danger – unknown.

Until John.

Her closest friend since childhood, John had always been a curious whirlwind—more likely to leap than to look. One golden afternoon, as they sat by the riverbank, he turned to her with a mischievous grin.

“I’m going in,” he said.

Emilly blinked. “You can’t. You haven’t been invited.”

John shrugged. “Well, I am not gonna sit and wait forever, even if everybody else does”

She felt her breath catch. “You don’t know what could happen.”

“No one does,” he said. “Isn’t that the point?”

She begged him not to go.
He smiled. “I’ll be back.”

And he was.

But he returned… different.

Not in a strange, unsettling way—but in a grounded, radiant one. His posture had changed. His voice had weight. He began painting—something he’d never dared try before—and it was as if color had always been inside him, waiting.

Emilly was stunned.

And jealous.

And still afraid.

The fear wasn’t just about what might be inside the Garden—it was about what might not be.
What if there’s nothing there for me? What if I walk in… and feel nothing? What if I try, and it means I was never special to begin with?

Days passed. Then weeks. John grew bolder. Freer. Emilly grew smaller inside herself.

Until one morning, standing again at the gate, something shifted. Not outside her, but within.

No wind called her name.

No sign fell from the sky.

There was only this: a still, private moment of choice.

She was done waiting.
For letters. For legends. For someone else to say she was worthy.

She stepped forward.

Her hand touched the gate.

It opened.

No resistance. No flash of light. No whisper of “welcome.”
Just silence.
And her heartbeat.

Inside, the Garden was everything and nothing like she’d imagined. It didn’t dazzle—it listened. It didn’t teach—it revealed. She wandered paths that seemed to rearrange themselves gently around her steps, until she came to a small clearing with a pool.

In its surface, she saw herself.
Not as she looked now—but as she could be: clear-eyed, self-trusting, powerful in quiet ways.

Tears welled, uninvited.

She laughed. Then cried. Then laughed again.

And in that moment, Emilly realized:
The invitation was never coming.
Because it wasn’t something you received.
It was something you give… yourself..